Grasses are sensual. You can smell them and hear them and watch them move. Meadows are sexy, just like lovers they never stop changing, never ceasing to surprise.
John Greenlee
That sensuousness can be seen in the way grass moves in the breeze. How it blooms robust with color in the spring and goes dormant brown in the winter: As Greenlee might say, they're the essence of sex and death.
Grass is dynamic. It gives texture and balance, it can be sharp or fluffly. It's an ensemble player, a backgrounder, accompanist, or virtuoso soloist if need be. Its culturally polyglot: It's Asia, Africa, the Mediterranean, and the American heartland. It's tropical, jungle, desert, lush, dry, sparse, and dense.
Below, the work of Washington D.C. based James Van Sweden:
Layers:
Meadows:
In contemporary gardens, it is the quintessential modern material.
More James Van Sweden:
It works in the meadow; it works in a pot:
Piet Oudolf's Trenthan Gardens:
